Daigoro's works explore "the visible and the invisible", which is the notion of memories between visual phenomenons and psychological contents in our time axes or imaginary lines.
The visual phenomenons are;
Natural lighting elements, artificial life objects, physical human objects and forms or movements as experimental visualisations (storytelling, narratives or performances) by still images, video recordings, art installation, and mixed media.
The psychological contents are;
Intuitions, conflicts, loops, communications, unconsciousness, identities, false memories or personal viewpoints in heuristic senses, compare to post-modern algorithmic sense.
His works were impressed with "narratively visual storytelling between real-life visions and imaginary contents in lighting effects" in photography, video works, mixed media, performances and installations.
His experimental visualisations, which are installations or visual performances, are mainly directed from the light effects (lighting logics) of reflections, projections, transparency, shadings, or any lighting elements used with some life objects, which are environments, movements, time, sounds, people etc. The atmosphere will look like a lightscape in a theatrical sense.
The still images and video works belong to the notion of memory & time, which is evoked in narratives, story-tales and fiction even within realistic contents. It is like narrative storytelling with a memorable sense in a hyper-real sense between half-fiction and half-reality from the definition of the visible and the invisible.
It is a deep transparency tale...
His still images and videos are recently involved work in fashion, craftmanship and any creative cultures for some sophisticated projects.
In those senses, reality can be considered to include all that exists, including the fictitious and imaginary also...
The visible and the invisible...